银幕上那些露骨的性/爱场面是如何制造出来的?这部电影将为你揭开此间的秘密。 雅克·洛朗,从1968年5月开始加入春宫电影界,到1984年已经拍摄了40部影片,在他最后一部暴力而抽象的作品《动物》没有能力发行之后,他洗手不干了。而今,他为了还债,不得不再次踏入春宫电影界。 雅克已经老了,电影界的新人们不再拿他当回事,他的点子人们不再听,他甚至不会用手机。剧组经费紧张,雅克还债的愿望也泡了汤。 全组人的情绪都不高。到了最后一场**戏,雅克的场面调度被年轻的制片人彻底改变,雅克看着演员们和摄制人员机械的拍摄现场,神情十分沮丧,始终没有说一句话……Jacques made pornographic films in the 1970s and '80s, but had put that aside for 20 years. His artistic ideas, born of the '60s counter-culture, had elevated the entire genre. Older and paunchier, he is now directing a porno again. Jacques's artistry clashes with his financially-troubled producer's ideas about shooting hard-core sex. He has been estranged from his son Joseph for years, since the son first learned the nature of the family business. They are now speaking again. Joseph and his friends want to recapture the idealism of 1968 with a protest. Separated from his wife, Jacques strives for personal renewal with plans to build a new house by himself.